Hip-Hop has become a global force, infiltrating various sectors of culture while impacting numerous facets of life. The movement born in the 1970’s from The Bronx, NYC has evolved from its humble beginnings into a billion-dollar industry. Taking street energy and lending its influence and buying power to music, fashion, entertainment, and more. Thriving off the ingenuity of savvy founders, executives, managers, and enterprising artists, Hip-Hop has moved the global needle and contributed to big business since its inception.
The presence of Black power brokers in the music business was not as prevalent 50 years ago as it is today. Yet, the efforts of those who launched companies, climbed the corporate ladder, or capitalized on their artistic endeavors to pursue entrepreneurship are indispensable. Creatives that make the art get the chunk of the headlines and credit, but it is often the work of the masterminds behind the scenes that pull the strings to ensure that the culture continues to be driven forward.
In celebration of Black Music Month and Hip-Hop 50, VIBE and Lexus highlight 50 of the greatest music industry figures of the Hip-Hop Era. Last week, we covered 14 of the most impactful artists that doubled as visionaries. In the finale of our four-part series, we look back at 14 of the most impactful Black music managers in Hip-Hop history.
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Deb Antney

Image Credit: Prince Williams/Filmmagic Deb Antney may be a native of Jamaica, Queens, but her contributions to the Atlanta rap scene and Hip-Hop as a whole remain immeasurable. Moving to the south during the ’00s and landing a position with the Georgia Department of Family and Children’s Services, Antney befriended rising rap stars through her social work, including Ludacris and David Banner. Bestowed with the nickname “Ms. A,” Antney flipped the affectionate moniker into the name of her management company Mizay Entertainment, which she launched in 2007. Teaming up with Atlanta rapper Gucci Mane, Antney became CEO of Guwop’s label So Icey and assumed managerial roles for the rising star. With a goal of Mizay becoming “the new LaFace,” Antney began rounding up her roster, which also included rappers OJ Da Juiceman and her son Waka Flocka, as well as producers Lex Lugor and 808 Mafia.
Securing a deal with Asylum/Warner, during the late ’00s, Mizay and Brick Squad took the game by storm, with Gucci Mane releasing the successful albums Back to the Trap House and The State vs. Radric Davis. The album, which produced the smash single “Wasted” featuring Plies, led to Gucci garnering mention as one of the “hottest” rappers in Hip-Hop by MTV. OJ Da Juiceman scored the hits “Make tha Trap Say Aye” and “Supaman High” and also released a debut album through Asylum, 2009’s The Otha Side of the Trap. In 2010, Waka unleashed his major label debut Herd Kaveliwhich was followed by the sophomore effort Triple F Life: Fans, Friends & Familyboth of which debuted in the Top 10 of the Billboard 200.
While Mizay Entertainment and 1017 Brick Squad were based out of the south, both entities’ talent extended from beyond those borders, as Antney helped recruit New York rappers Nicki Minaj and French Montana to the fold during the late ’00s and early ’10s. Antney served as Minaj’s manager when the rap star inked her deal with Young Money after discovering her following her run on the New York mixtape and DVD circuit. The award-winning Queens rapper would go on to have massive success, becoming among the best-selling rap artists of her generation while breaking numerous records with her list of chart-topping singles.
French, who joined the Mizay Entertainment roster in 2010, also saw his buzz increase under the Antney’s watch, becoming one of the most sought after rap prospects in the game and has since made a bankable career, with multiple Top 10 album releases under his belt. Launching Be100 Radio in 2013 and becoming a publisher at Cobalt Publishing, Antney made the jump into the reality TV world, joining the cast of VH1’s Love & Hip Hop: Atlanta and has also appeared on the We TV show Growing Up Hip Hop Atlanta, the latter of which she is credited as an executive producer. In 2023, We tv and AMC Networks announced that it has commissioned Bev Is Boss, an eight-episode scripted drama based on Antney’s turbulent upbringing and rise to the heights of the music industry.
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Jimmy Henchman

Image Credit: Ray Tamarra/Getty Images) The story of Hip-Hop cannot be told without the inclusion of James “Jimmy Henchman” Rosemond. Raised in the Flatbush section of Brooklyn, New York, Rosemond’s teenage and adult years were mired with run-ins with the law, as he served five years in prison on a firearms conviction and was also booked on a murder charge. Obtaining his GED and associates degree while behind bars, Rosemond was released in 1988, after which he sought to become a fixture within the music industry.
In 1992, Rosemond and a few of his friends threw a party in Miami for Hip-Hop curator Fab Five Freddie’s birthday, a weekend affair that ultimately became the How Can I Be Down music convention the following year. Now a manager, Rosemond’s client Mark Sparks scored a Top 5 Billboard Hot 100 placement with his production on Salt-N-Pepa’s 1993 single “Shoop” and he also found success with Groove Theory member Bryce Wilson.
After being arrested in 1996, Rosemond was released in 2001 and jumped right back into the swing of things, negotiating Mike Tyson’s 2002 heavyweight title fight against Lennox Lewis, which netted Tyson eight figures He was also an executive producer of the Romeo Must Die and Exit Wounds soundtracks and worked as a consultant to multiple record labels including Blackground, Loud/SRC, Motown, Interscope, and Virgin Records. During the next decade, Rosemond’s management company Czar Entertainment became a dominant force, with a stable of talent including The Game, Akon, Brandy, Sean Kingston, Mario Winans, Guerilla Black, Gucci Mane, and more.
In 2012, Rosemond was convicted of multiple charges including drug and weapons offenses, and was later convicted of murder in 2014. He is currently serving a sentence of life plus 30 years in federal prison. Rosemond’s son, James Jr., has continued the family’s legacy in the music business, helping propel Bronx rapper Ice Spice to stardom.
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Queen Latifah & Shakim Compere

Image Credit: Jason Kempin/BET/Getty Images for BET Queen Latifah and Shakim Compere have proven themselves to be one of the most formidable tandems in the entertainment industry. Hailing from New Jersey and Flatbush, Brooklyn respectively, the pair originally met while attending Irvington High School in New Jersey, with Compere becoming a trusted confidant as Latifah embarked on what has become an iconic rap career. Joining the Flavor Unit, a collective of emcees based out of New Jersey, Latifah shined on cuts like “Flavor Unit Assasination Squad” and was tapped as a prodigious lyricist and potential star.
Flavor Unit producer Mark 45 King shopping her demo to music executive Dante Ross resulted in the A&R bringing Latifah onto the Tommy Boy Records roster in 1988, with Shakim becoming her manager and business partner. Her debut album All Hail the Queen was released in 1989 and was billed as one the year’s best releases, producing multiple hit singles and peaking at No. 6 on the Billboard Top Hip Hop/R&B Albums chart. That same year, with the blessing of her crewmates Latifah and Shakim incorporated the name Flavor Unit and launched a management company, an ambitious move for an artist that early in their career.
Yet, the leap of faith paid off within a few short years, with Latifah continuing to release successful albums while Shakim brokered the deals and helped build out their management roster. In 1990, Flavor Unit released their debut album, which was released via Tuff City Records and included appearances from members Double J, Lord Ali Ba-Ski, Latee, Apache and Latifah. Flavor Unit scored its first success outside of Latifah with Naughty By Nature, who joined the crew after being discovered by Mark The 45 King and was signed to a deal with Tommy Boy, which Compere negotiated. Reaching Platinum with their self-titled debut in 1991, Naughty By Nature headlined a list of clients that soon included fellow Platinum hitmakers Black Sheep and SWV, among others.
Releasing their second compilation album Roll Wit The Flava in 1993, Flavor Unit was now recognized as a bonafide conglomerate, with artists like Latifah and Naughty By Nature member Treach scoring movie roles and helping break barriers for Hip-Hop in Hollywood. In 1995, Flavor Unit Management evolved into Flavor Unit Entertainment, a multi-media company that would realize their plan to infiltrate various sectors of the industry. Picking up Outkast and Monica as clients during the mid ’90s, Compere had managed 12 Platinum artists by 2000 and had made his mark as a top executive within Hip-Hop and R&B.
In addition to stamping herself as one of the greatest rap artists of all-time, Latifah had spent the ’90s building her acting resume, with roles in the TV sitcom Living Single and films like House Party 2, Set It Off, Hoodlumand The Bone Collector. The new millennium saw Latifah and Compere turning Flavor Unit’s focus to building its presence in that realm, as the pair spent the next decade spearheading numerous film and TV projects, including Bringing Down the House, The Cookout, Beauty Shopand The Queen Latifah Show. In 2013, Flavor Unit Entertainment entered a multiyear licensing deal with Netflix, before striking an exclusive programming partnership with Centric the following year to rebrand the network as the first to be geared towards Black women.
Having moved the Flavor Unit Entertainment operations to Miami, where the company has been working on independent film projects, Latifah and Compere continue to fight for representation and ownership. From being executive producers of the hit CBS show The Equalizerwhich casts Latifah in the starring role was recently renewed for its fourth season. With hundreds of millions amassed between music and Hollywood, Latifah and Compere are undoubted trailblazers that show no signs of slowing down anytime soon.
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Kevin “Coach K” Lee And Pierre “P” Thomas

Image Credit: Cindy Ord/Getty Images As two of the most powerful figures in the Hip-Hop, Kevin “Coach K” Lee and Pierre “P” Thomas have enjoyed a streak of success that shows no signs of culminating anytime soon..Born and raised in Indianapolis, IN, Lee studied economics at Saint Augustine University on a basketball scholarship, but dropped out after being the victim of a shooting in 1993. Returning home, Lee and his friends launched the independent record label Universal Stars in 1996, but failed to gain traction with any of its artists.
The following year, he migrated to Atlanta, where scored a gig working as an A&R for then NBA player Al Henderson’s record label before launching his own management company in 1998. Taking on rapper Pastor Troy as an early client, Lee gained a reputation as a rising figure in the Atlanta rap scene, with the manager eventually meeting rapper Young Jeezy during the early ’00s.
Lee helped Jeezy put out his breakout mixtape Tha Streets Iz Watching in 2004, as well as his classic Gangsta Grillz mixtape Trap or Die the following year, securing a record deal for Jeezy through Def Jam Records in the process. An executive producer and A&R on Jeezy’s first three Def Jam releases (Let’s Get It: Thug Motivation 101, Thug Motivation 102: The Inspiration, The Recession), Lee’s efforts in assisting the rapper in reaching Platinum success made him a sought after figure by other artists. Taking on Gucci Mane as a client in 2009, Lee helped the Alabama native craft The State Vs. Radric Davishis best-selling album at that point in his career.
Working with Gucci until early 2013, Lee made the transition from manager to founder, launching Quality Control Music with partner Pierre “P” Thomas in March of that year. Thomas, an Atlanta resident and former founder of Dirty Dolla Entertainment, joined forces with Lee to build QC from the ground up, investing more than $1 million in creating the label’s headquarters, which included four recording studios and office space for its employees to work out of.
Introducing the Migos as the label’s first act, QC saw success with the group’s Platinum-selling sophomore album Culture and its double Platinum certified sequel Culture IIwith the trio becoming the hottest group in Hip-Hop at their peak. The label scored additional big finds in OG Maco, who’s 2014 single “”U Guessed It” peaked at number 90 on the Billboard Hot 100, and Lil Yachty, who has released multiple albums that have debuted in the Top 5 of the Billboard 200 and has several Platinum and Gold singles under his belt.
In 2015, Lee and Thomas inked a joint-venture deal with Capitol Music Group and its Motown Records label, a partnership that has proved mutually beneficial. QC experienced the height of its success thus far in the subsequent years after deal, and Motown experiencing a resurgence in its standing in the Hip-Hop industry. Quality Control has since added multi-Platinum-selling, chart-topping superstar Lil Baby to its roster and brought Miami female rap duo City Girls to national notoriety, and are now regarded as one of the most accomplished imprints in all of music.
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Charlie Mack

Image Credit: Ray Tamarra/Getty Images One of the highest honors one can receive in Hip-Hop is being the namesake and inspiration of a rap song, a distinction which Charles “Charlie Mack” Alston has experienced firsthand. The Philadelphia native got his foray into the industry side of things during the late ’70s, landing a gig as promoter and A&R Director at April Records before going into the live event space. Working with acts like Doug E. Fresh, Roxanne Shante, Biz Markie, Big Daddy Kane and Stetsasonic, Mack was at the forefront of his hometown’s rap scene during its genesis, quickly becoming a renowned presence in the city.
By the latter half of the 80s, Mack’s relationship with DJ Jazzy Jeff led to him becoming the security and trusted confidant to the spinner and rap star The Fresh Prince, hitting the road with the duo at the height of their success. In tribute to Mack, Jeff and The Fresh Prince recorded the song “Charlie Mack (1st Out the Limo)” and included the track on the group’s sophomore album He’s the DJ, I’m the Rapper. Along with James Lassiter, who would go on to launch Overbrook Entertainment with Will Smith and oversee his acting career, Mack played a pivotal role in the megastar’s unprecedented run in the rap game.
He has also helped discover and introduce numerous legendary acts from Philly, including Meek Mill, Boyz II Men, Bryshere “Yazz” Gray, and more. He has also created and contributed to film and television projects with Queen Latifah, Snoop Dogg, Jamie Foxx, T.I.. Eve, Tatyana Ali. and more.
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Don Pooh

Image Credit: Bennett Raglin/Getty Images for Brooklyn Chop House Times Square Robert “Don Pooh” Cummins has provided a helping hand in ushering some of the greatest rap artists of all-time towards greatness. A native of Brooklyn, New York, Cummins’ friendship with Howard University classmates Sean “Diddy” Combs and Mark Pitts led to him assisting Pitts in managing The Notorious B.I.G., a period he credits with inspiring him to launch his own management company. Christened “Don Pooh” by Biggie, Cummins’ first big discovery was a female rapper from Brooklyn named AKA, whom he rebranded as Foxy Brown and landed a guest spot on LL Cool J’s “I Shot Ya (Remix)” in 1995.
After a string of high-profile guest appearances led to her becoming the hottest unsigned rap artist in Hip-Hop, a bidding war ensued for Foxy’s services, with Def Jam ultimately winning out. Released in 1996, Brown’s debut album Ill Na Na made history, becoming the first female rap album to debut in the Top 10 of the Billboard 200 and went on to receive Platinum certification. With that success under his belt, Cummins was sought out by other rap stars for his expertise, with JAY-Z, Diddy and others working in tandem with the burgeoning dealmaker.
Playing a pivotal role in the creation of the rap supergroup The Firm featuring Foxy, Nas, AZ, Nature, and Cormega, Cummins was named a co-executive producer on the crew’s Platinum-certified debut album, which he followed up with Brown’s chart-topping sophomore release Chyna Doll in 1999. He would also introduce Brooklyn rapper Shyne to the music industry, who struck Gold with his own self-titled album the following year. With three consecutive Platinum plaques to his credit and contributions to other blockbuster releases, in 1999, Cummins’ efforts were rewarded with an appointment as Executive Vice President of MCA Records.The transition proved effortless, with Cummins’ overseeing Mary J. Blige’s Grammy Award-winning album No More Dramawhich sold several million copies worldwide. Working with the likes of Shaggy and The Roots during his tenure at MCA, Cummins, a serial entrepreneur, looked to further expand his strongholds outside of the music industry.
Entering the restaurant franchise business during the mid-aughts, Cummins began with several Papa John’s, Checkers, and iHop locations in New York City before partnering with David Thomas and Stratis Morfogen to launch Brooklyn Chop House. Opening its doors in 2019, Brooklyn Chop House has since become one of the hottest eateries in New York, attracting a star-studded list of patrons including Mary J. Blige, Busta Rhymes, Fat Joe, Diddy, Jamie Foxx, Kevin Hart, Cardi B and Offset. The restaurant has since opened a second location near Times Square and been paired with a sister restaurant Brooklyn Dumpling Shop, which opened in 2021.
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Anthony Saleh

Image Credit: Prince Williams/WireImage Anthony Saleh has used his knowledge and foresight to help his clients prosper, facilitating endorsement and investment deals to the tune of hundreds of millions of dollars. Raised in Los Angeles, Saleh’s background is in finance, yet his love for Hip-Hop culture pushed him to the musical side of things. Launching Emagen Entertainment Group in 2006, Saleh picked up a blue-chip client in rap legend Nas, who entrusted him with steering his musical career, as well as advising him on promising investment opportunities. Named an executive producer on Nas’ Untitled ninth studio album, in 2010, Saleh was appointed executive vice president of Troy Carter’s Atom Factory management and production company, working with stars such as Nicki Minaj, Lady Gaga, Toni Braxton, and Robin Thicke.
That same year, he founded Emagen Investment Group, a venture fund focused on seed capital and start-up investments that helped fund cryptocurrency platform Coinbase. Joining C3 Presents as Executive Vice President of Management in 2012, Saleh added Future to his list of clients in 2014, guiding his rise to superstardom off the strength of a dynamic mixtape run and his chart-topping third studio album DS2. The album, which sold more than three million copies in the U.S., catapulted Future’s career, as he has since become one of the best-selling artists in the genre, with all but of his albums reaching Platinum certification under Saleh’s guidance. He also managed YG, who scored multiple hit singles and millions of records sold over the past decade, giving him one of the strongest management rosters in the business.
While he has since added Grammy Award-winning artist Kendrick Lamar to the Emagen stable, as well as hitmakers Gunna, Alina Baraz, producer Turbo, and DJ BA.D., Saleh remains most closely associated with Nas. In addition to earning his first Grammy Award while with Saleh, Nas has grown as an entrepreneur during their professional relationship. Launching QueensBridge Venture Partners with Saleh in 2014, the rapper earned big returns from investments in Lyft, Casper mattresses, Robinhood, Coinbase, and other start-ups. The manager is also a partner at technology investment firm WndrCo, which he joined in 2016 and has invested in successful startups including Tracklib, Dapper Labs, and Audioshake,
Saleh has received numerous honors over his career, including being listed as part of “The Levo 100 Entrepreneurs,” Forbes’ “30 Under 30 in Music,” Billboard’s “100 Most Powerful People in Music”, and Billboard’s “30 Under 30″ lists. He continues to make an impact both through his own efforts, as well as through proteges like Ebonie Ward, who has since assumed managerial duties for Future and other clients on the Emagen roster.
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Lenny S.

Image Credit: Prince Williams/Getty Images Lenny Santiago, better known as Lenny S., is a name familiar to numerous Hip-Hop fans, as it has been dropped in numerous rap songs by JAY-Z and other notable rap artists. However, in addition to being referenced in rhymes, Santiago has spent the better part of the past 30 years facilitating moves behind the scenes to accommodate some of the biggest stars in the game. Born in Puerto Rico and raised in the Bronx, Santiago got his feet wet in the industry doing street promotions for Bad Boy Records during the label’s early years.
Yet, in 1995, he made the risky choice of jumping ship from the hottest label in New York to a fledgling upstart called Roc-A-Fella Records, beginning as an intern and becoming one of the companies earliest employees.Becoming head of the Roc’s promotional street team, Santiago earned an A&R position, working on several JAY-Z albums including Vol. 2… Hard Knock Life, Streets Is Watching, Vol. 3… Life And Times Of S.Carter, The Blueprint and The Black Album. Helping oversee other key Roc-A-Fella releases from Beanie Sigel, Memphis Bleek, Cam’ron and others, Santiago became a trusted employee on The Roc and is credited as an integral cog in the label’s operation.
Upon JAY-Z’s appointment as President of Def Jam, he was tapped by JAY-Z to join him at the label, where he worked on projects by Ghostface Killah, The Roots and Jadakiss. Taking on DJ Khaled, Fabolous, and other management clients, by 2010, Santiago had become an esteemed figure in rap circles. A quintessential music man and advisor to the stars, the self-proclaimed “lifestyle A&R” relies heavily on his management skills, working with artists in various capacities and helping them navigate the terrain of marketing meetings, business deals and everything in between.
Now the Senior Vice President of Roc Nation, Santiago remains dedicated to helping artists reach the peak of their potential, musically and otherwise. During his latest tenure, he has worked closely with the likes of Rihanna, Meek Mill, Megan Thee Stallion, Lil Uzi Vert, Big Sean, A$AP Ferg, Vic Mensa, Justine Skye and many other young and veteran acts.
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Steve Stoute

Image Credit: Donna Ward/Getty Images Dubbed “The Commissioner,” Steve Stoute is a founder and executive that helped realize Hip-Hop’s branding power. Born in Queens, Stoute’s entry into the business was as a roadie for rap group Kid ‘n Play during the early ’90s, eventually taking on road managerial duties for the duo. Partnering with Christopher “Kid” Reid to launch a record label, Stoute and Kid’s imprint earned a short-lived deal through RCA Records, which subsequently hired him to an A&R role at the company. As fate would have it, a meeting with Tone of the Traskmasters caused Stoute to be fired from RCA, which led to him taking on the duo as his first in a string of high profile management clients that impacted the direction of the culture.
As Trackmasters embarked on a hit-making spree that yielded radio smashes by the biggest names in rap and R&B, Stoute secured his next client, Nas, who he personally visited the Queensbridge Houses to recruit in 1995. Coming off the release of his critically acclaimed debut Illmaticthe poetic rapper was looking to raise his popularity on the mainstream, which Stoute assisted with, pairing him with the Trackmasters and other star producers for his sophomore album It Was Written. Released in 1996, the album peaked at No. 1 on the Billboard 200 and sold more than three million copies and bolstered Stoute’s reputation as a trusted industry consigliere with proven results. That same year, Foxy Brown, whom he signed on as a client in 1995, released her Def Jam debut Ill Na Na. The album, which was largely produced by the Trackmasters, also debuted in the Top 10 and was certified platinum, given Stoute a dominant triumvirate of clients.
In addition to his work as a manager, Stoute landed a position as president of Urban Music for Sony Music Entertainment, where he helped launch Will Smith’s solo career. Smith’s work on his multi-platinum album Big Willie Stylewhich sold more than nine million copies in the U.S. alone, won him multiple Grammy Awards, making Stoute’s magic as a music man undeniable. Working with songstress Mary J. Blige and signing late NBA star Kobe Bryant to a record deal, Stoute would leave Sony in 1998, joining Interscope that same year. Named executive vice president, he held that role for several years, during which he put his focus on merging the worlds of Hip-Hop culture and music and advertisement. One of Stoute’s first moves was him pairing Reebok signature athlete Allen Iverson and rapper Jadakiss for a TV ad, before brokering sneaker deals with the brand for both JAY-Z and 50 Cent.
In 2004, Stoute pivoted from the music industry with the launch of Translation, an independent creative and advertisement agency that is currently valued at over $30 million and has worked with brands including McDonald’s, Nike, Beats By Dre and HBO. He has since earned various honors in the advertising world, such as ADCOLOR’s “Innovator of the Year,” “Executive of the Year” by Ad Age, and induction into the American Advertising Federation’s Advertising Hall of Achievement. In 2017, Stoute returned to his music industry roots, launching UnitedMasters, which was funded with $70 million in investments. The company, which was formed to assist artists in securing more profits from streaming services, is currently home to over one million artists.
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Michael “Blue” Williams

Image Credit: Prince Williams/Wireimage Michael “Blue” Williams is considered a dynamo in the world of music management. With over 30 years of experience in helping guide the careers of household names, the Bronx, New York native is well-versed in the art of ushering developmental talents onto the big stage. Graduating from Central State University, Williams began his career in the early ’90s following a chance meeting with R&B group Jodeci, rising from a “roadie” to a road manager during the quartet’s rise to fame. Williams’ hustle caught the eyes of Flavor Unit Management founders Queen Latifah and Shakim Compere, who took him on as a manager to assist the duo with their stable of acts.
Appointed as President of the company in 1994, Williams was introduced to Outkast the following year, who became Flavor Unit Management clients following the release of their Platinum certified debut album. While Williams became the point-man for all of Andre 3000 and Big Boi’s endeavors, he also oversaw acts such as LL Cool J, Black Sheep, Monica, Faith Evans, SWV and others during his tenure with Flavor Unit.
Parting ways with Flavor Unit in 1998, Williams turned his focus to his own management company, Family Tree Entertainment, which included an independent record label and film and TV divisions. With Outkast following him on board, the company was a success, as Outkast released their multi-platinum fourth studio album Stankoniaunder Williams’ watch. The subsequent years saw Williams and Outkast make history, as their fifth studio album Speakerboxxx/The Love Below won Album of the Year and Best Rap Album at the 46th Grammy Awards, with Andre 3000’s “Hey Ya!” taking home the hardware for Best Urban/Alternative Performance.
The double-album, which was certified Diamond, elevated Outkast to megastar status and stamped Williams as one of the most respected and esteemed managers in music. Upon Outkast going on hiatus in 2006, Williams turned his attention to expanding his empire. In 2010, Williams teamed up with Primary Wave Music’s Talent Management arm, which housed a roster of names like Cee Lo Green, Ginuwine, Goodie Mob, and Eric Benet. Late Violator Management founder Chris Lighty joined the fold the following September, partnering with Willams and Mestel to create Primary/Violator, a management, publishing and marketing firm that paired the aforementioned acts with hitmakers Mariah Carey, Soulja Boy, 50 Cent, L.L. Cool J, Busta Rhymes, and Diddy.
During the late ’10s, Williams linked up with Nick Cannon to launch Ncredible Management & Brand Solutions, which helms the comedian, actor and hosts multimedia empire. Having reunited with Big Boi, Williams made a big move in 2022 by relaunching his Family Tree Entertainment Company in a partnership with Outback Presents. The venture, which includes the Family Tree Services record label, currently holds a roster that includes K. Michelle, Soulja Boy, DJ Chose, Yung Pooda and Vanity Rose. To date, artists under Williams’ management have amassed more than 50 million albums sold combined.







